Sources

lo rgyus ngo mtshar snang ba me tog gi chun po/

rje btsun gyis mdzad pa'i gdung rabs tshigs bcad ma/

dam pa kun dga' grags kyis mdzad pa'i gdung rabs/

sa skya'i gdung rabs ya rabs kyi kha rgyan/

lo paN gyi rnam thar phyogs bsgrigs/

'phags yul rgyan drug mchog gnyis kyi zhal lung / dpal sa skya'i bzhed gzhung pod chen drug gam grags chen bco brgyad/

stong ra mkhan brgyud kyi gsung 'bum/

stag tshang lo tsA ba shes rab rin chen rgyal mtshan dpal bzang po'i gsung 'bum/

初期サキャ派成立史の研究

chos kyi rgyal po stag tshang lo tsa ba chen po'i bka' 'bum dkar chag

rje btsun sa skya pa'i gdung rabs/

sa skya bka' 'bum/ [zhwa lu bris ma/]

Dge-slong-ma dpal-mo, the Princess, the Mahasiddha, the Nun and the Lineage Holder: as Presented in the thob yig of Za-ya Paṇḍita Blo-bzang 'phrin-las (1642-1715)

thob yig gsal ba'i me long /

The Thob yig gsal ba'i me long by Dza-ya Paṇḍita Blo-bzang 'phrin-las (1642-1715): an enquiry into biographies as lineage history

Fourteenth Century Tibetan Cultural History III: The Oeuvre of Bla ma dam pa Bsod nams rgyal mtshan (1312-1375), Part Two

Besprechung von David P. Jackson. A Revolutionary Artist of Tibet: Khyentse Chenmo of Gongkar. New York: Rubin Museum of Art, 2016

Die Mañjuśrī-Vision des Sa-chen Kun-dga'-snying-po, oder: Wie oft lässt sich eine Geschichte erzählen?

mdo khams gnas yig phyogs bsgrigs dad bskul lha dbang rnga sgra/

khams phyogs dkar mdzes khul gyi dgon sde so so'i lo rgyus gsal bar bshad pa nang bstan gsal ba'i me long /

A survey of Bonpo monasteries and temples in Tibet and the Himalaya

The Bird-faced Monk and the Beginnings of the New Tantric Tradition: Part One

lo chen rin chen bzang po'i mdzad 'phrin zhib mo rnam 'byed/

lo tshA ba chen po rin chen bzang po'i zhabs kyi bka' 'bum/

bde ba can gyi smon lam bzhugs s.ho//